Time for a new update: At this stage of the research, I work through a personification of typography. Letters are approached not as abstract signs, but as carriers of personality. Typography thus becomes bodily and physical: first shaped through the body in the workshop context, and later further embodied through the narratives attached to each letter.
Each letter is given a voice through an associative writing process. Starting from the visual and material form of the letter, I write a text that functions as a letter addressed to the reader. The narrative does not exist separately from the typographic form, but emerges from it. These texts are not illustrative additions; they are a method for articulating what the letter embodies.
This approach resonates with Ursula K. Le Guin’s The Carrier Bag Theory of Fiction, in which meaning is understood as something carried rather than linearly produced. Similarly, the letters in this project operate as containers of bodily, subjective, and associative knowledge. Typography is researched here as an embodied practice—one in which meaning is not merely communicated, but physically and narratively held.